This piece was produced for the UK cinema quad of ‘National Lampoon’s Animal House’ (78) – I do not know the artist.
It is the original artwork and an amazing piece, produced in several layers, all in superb condition. The top layer is an acetate, with an overlay of breaking glass from a picture frame. The second layer is the picture frame itself. The third layer is the picture within the frame, of the students in the fraternity.
The artwork is approximately quad size and produced on board.
This piece was produced by famed exploitation/horror/science fiction artist Tom Chantrell for the science fiction exploitation film ‘Prisoners of the Lost Universe’ (’83).
It was used for the US one sheet and also American video releases. This is the original artwork and is also signed by Chantrell himself.
The artwork is approximately one sheet size and produced on board. It comes with an acetate overlay (which is damaged) and lettering. The artwork itself though is still in lovely condition.
This piece was produced by artist Sam Peffer for the sexploitation film ‘Emmanuele 3’ (’77).
It was used for the UK cinema quad release and is the original artwork. It was also used as the basis for the Hokushin pre-cert carton release.
The artwork is approximately quad size and produced on board. It comes with an acetate overlay with lettering cleverly placed so as to hide the naked breasts of the ladies on the art. When lifted, the breasts can clearly be seen in all their glory as seen in the pics.
This piece was produced by famed exploitation/horror/science fiction artist Tom Chantrell for the Mary Millington classic ‘Whats Up Superdoc!’ (’78).
It was used for the UK cinema quad release and is the original artwork, signed by the late Tom Chantrell. It was also used as the basis for the Hokushin pre-cert carton release.
The artwork is approximately quad size and produced on board.
I have been collecting VHS tapes since the age of 13, now 27, and i’ve gathered together a collection of well over 2,500 tapes. As most of you are aware, i’m a lover of post-certs more than pre but that’s largely down to my age, although i’m more about the movies themselves rather than their rarity or value.
My wife is due to give birth to our first child in March and as such my VHS library has to go into storage until such time as we can move into a bigger place.
Here are a few pics of my collection (as of end 2011):
